from Milestones
leaving the city I get on the same freeway that
usually takes me around the city -- on the wide
belts of concrete fringed with buildings where all
my attention goes to the ratios of speeding metal
and expanding cement I don't notice
the city thinning into the countryside --
it's only signaled by the time it takes
to get from one exit to another I don't start to
notice trees fields and grass till I'm out of the
county -- coming into the city is the same in
reverse: the drive through the greenery ends in
expanded concrete from which I emerge inside the
city -- it gets me where I'm going -- a week ago
Pam rode her bike from here to Chicago
My Lady and I drove down the same day
bringing Sarah with us -- when we met her at
Abdalah's she'd been there for hours had gotten
drunk and sat on the floor telling screwy jokes
and hugging her daughter she didn't want to talk
about the ride though she was exhilarated
completely delighted and that had nothing to do
with what she'd been drinking ¨was it the exertion
the sense of accomplishment -- I like to imagine
that part of the fun was the sense of environment
changing around her one city melting away
as her speed increased then the long fast run
through open country then a new city
growing around her suburban houses
giving way to those of the north shore palatial
miniatures giving way to apartment buildings
interspersed with theaters restaurants and night
clubs growing into the sky scrapers approaching the
loop a whole city growing slowly around her the
enormous complexity of human diversity still
radiating around her as she sat on the floor way up
in a highrise -- from the highrise bridge over the
industrial valley I can see the city stretch from
the western horizon to the shore of the lake before
plunging back into the city at National Ave. and
the concrete maze that'll drop me into the countryside
on the road to Chicago I've never traveled on foot
@
midnight sunday driving from New York City to
Jeffersonville both of us falling asleep
don't think of sleep everything's closed
haven't got any coffee or cafinated soda
don't think of sleep can't find a station
on the radio don't think of sleep
try to talk nothing to say
don't think of sleep try to sing can't don't
think of sleep tell ourselves don't think of sleep
can't no other cars on the road
just endless pavement don't think of sleep
sleep awaits us don't think of sleep
rehearse tomorrow our heads bob
don't think of sleep sing
energy is eternal delight if we stay awake we'll
see the greatest of miracles around that curve
don't think of sleep sing of ammonia and razors
of sulfur and high pitched sounds don't think of
sleep sing the car is a submarine
under the north pole don't think of sleep
sing the road is a snake
we're approaching its head its head will turn on us
don't think of sleep sing the night is a factory
the car is a drop forge the road is hot metal
dozing is a buzz an electric itch sleep will be
an electric shock don't think of sleep
we shake ourselves sing
sleep is a nightmare we're riding the nightmare
don't think of sleep sing singing will end this
drive will end in sleep don't think of sleep
@
Quetzalcoatl roars in our tires the hard rubber
ball of the sun and moon passes back and forth
in the court of heaven men become gods
throwing the ball between day and night
the losers die the winners are sacrificed
the gods are replaced the game goes on
my tires are filled with compressed air
trying to explode hurricanes spin
trapped in our wheels Quetzalcoatl
god of winds roars in my tires
their rubber evolved from the sun in heaven
sun growing in trees sun trapped underground
the sun in hell the road itself --
the sign and the name of this age is 4-Olin
movement
earthquake the rolling of hordes
the game in the court divides into night and day
into red and black
earth's axle
runs through the court's center lubricated by the players' blood
our wheels spin through steel stars
rings of bearings the players on the night's team
-- without these tires our steel wheels
couldn't go faster than ten miles an hour
if they tried the earth would destroy them
and rattle the car's parts into a shower
of interchangeable pieces they burned rubber balls
as a potent incense we sacrifice ourselves
winners and losers in the smell of rubber incense
the ball moves Quetzalcoatl's breath
gave life to the world Quetzalcoatl's breath
runs into the wheels of hell Quetzalcoatl's breath
kills the sun at night Quetzalcoatl's breath
roars in our tires our tires unite
heaven and earth the snake eats its tail
their surface is endless the wheel of the sun
runs into the wheels of hell the hard rubber ball
passes back and forth in the court of heaven
the name of this age is 4-Olin
the four wheels of the age roll it toward
its inevitable conclusion it will end in an
earthquake the rolling of hordes Quetzalcoatl
presides over the ball court over the days and
years over our speed Quetzalcoatl
roars in my tires the world will end
when Tezcatlipoca flying his giant black Cadillac
steals the ball out of the sky
Quetzalcoatl will roar in the tires
of Tezcatlipoca's car
@
the clock on the dashboard shows five minutes later
than the watch on my wrist time goes faster as
it passes ¿ is there some formula to measure the
acceleration of time through your life like the
rate of acceleration of falling bodies -- when I
was a kid a year lasted forever as a young man
a year went by faster but the time in front of me
always seemed limitless time enough
to do everything I wanted -- at middle age
half way through my predictable lifespan
I seem to be moving faster than the speed of light
faster than time itself
hurtling through events I can't grasp -- friends I
seem to have talked to yesterday have been dead for years
every day I can get less done
¿ will this acceleration continue will I be able to
stand the pressure of time rushing through me what
cosmic force what harnessing of white giants could
slow this down -- my car is space ship enough
what I can do in my lifetime constantly grows
smaller there's a galaxy between my watch
and the clock on the dashboard
@
I don't know how many drive-ins I've passed
since the last time I watched a movie in one
it's been many years and I've passed quite a few
deserted in daytime huge luminous screens
presiding over hordes of anonymous cars miming
fragments of stories that rose quickly and vanished
when I passed them at night -- tonight we arrived
just as the last streaks of blue and red light
faded to black in the west turned off our
headlights as we went through the maze that lead to
the rows of slanted ground each staked out with
speakers on poles at ten foot intervals -- other
drivers honked their horns just like they did
when I was in high school like metallic birds
lauding the evening star -- the movies we watched
were completely ridiculous just like their
predecessors one about children who turned into
monsters whose fingernails glowed after being
exposed to radioactive gas the other a story of
cops and robbers chasing each other through
intricate freeways and labyrinthine streets -- we
joked at their antics assumed the personae of the
actors we saw making skits of our own using the
movies as springboards for our own private theater
inside our car -- other viewers sat on their
hoods or in portable lounge chairs or roamed
between cars -- all of life's stages were being
enacted under the dim reflections of the giant
screen the restlessness of kids just before puberty
ambient between cars and refreshment stand those a
bit older necking in their cars or behind the
projection booth rehearsing for the next stage
those in their later teens engaged in seminal union
in the awkward positions a car can demand at
the back of the lot also rehearsing perhaps without
knowing that they would soon be the couples with
kids who sat on their parents' rooves or played on
the monkey bars beside the concession stand or fell
asleep in the backs of station wagons who would
some day become middle aged people who returned for
nostalgia to this microcosm of the world run by
cars and their video dreams -- we make better use
of our cars and their dream in a place like this
than we would in theaters or out on the freeway or
back at home here the interactions of life cars and
movies take place together instead of sequentially
here the privacy and freedom basic to cars
get put to full use -- it had started to rain
just before the end of the show we saw the credits
through drops on the windshield joined the winding
procession as the downpour began and as we drove
down the road lightning sent jagged lines through
the distant sky and as we drove on flat sheets of
light fell over the world and returned it to
darkness as soon as they fell
@
Dia de los Muertos -- 1981
now that autumn's getting sharper it's just the
time to visit junkyards brown leaves underfoot
smell of burnt leaves seeming to emerge
from crannies of air and fast as they're scented
slip into nothingness or into the smell of rust
all this brown metal is burning more slowly
but still in sympathy with the changing season
taking in oxygen flaking in pieces
waiting for rebirth in some other form --
miscellaneous pieces -carbs and bumpers
camshafts and radiators- form a groundwork
for the remains of whole cars the remains of the
dreams of hoards of people many dead many forgotten
-- all our hopes and our efforts our aspirations
and failures remain in these skeletons: how much
love went into that Mercury how many years of work
went into that Camaro how frugal was that Beetle
how homey that Rambler how sporty that Triumph
how aggressive that Buick o mighty Lincoln
how proud you were in your day -- ¿ could these
cars intercede for us on this Day of the Dead --
the cars themselves know our hearts and our needs
our intimate secrets and loudest cries
¿ did they die without sin -- whatever they did
they're our testament I'll leave a sugar skull
on one of their hoods
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