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Mark Pirie
Jasmine
For Basim Furat
You say poetry
is our lasting friend;
after our lovers and our friends
have gone, it will always be
there - it will never leave us.
So hear the way it sings -
it fills our dreams
with golden memories; that's why
I hear in your words a song,
and it is sung like Maqams.
Sometimes though it resounds
like a battlescape, filled with
the splinters of bombs; it haunts
your page, it wrestles the love
from your pen, but you
are strong and cast it off.
At night it shakes you inside
and you remove its fear from your
pillow - and how you yearn,
but still it follows you - yet long after
when those in power have gone
and the gilded domes point your way
your poems will be sung - just
look how they spring, even now, like
fresh jasmine, blossoming in the house's light.
Hush
for
Sian
A moon drop and a star
Are found in a young girl's dream.
Over the hills and beside the sea
Where she lives is
A small town; it gives her
a place to hide, a place to rest
And a place
Where sadly she must
Fall.
***
Her sickness has raged
Since birth, and every Sunday
She prays to live again. She says
To her sweet Angels,
O voices in the night
Voices be my kite
Send me to Heaven
Where your kisses are my elixir
O let me fly away, my sweet Angels,
Fly away, Tonight!
***
In her death,
A town is restored
With tears. The
Pain of her passing
Sighs with relief,
And their gowns of mourning
Are fixed
By the luminous stars.
And overhead a moon drop
Becomes their dream.
Letter to Leda
1.
The zoo unwinds its cages before me.
And I'm back there in childhood again
with a roof and four walls to hold me.
Can you hear me calling, Leda,
is it true you've left me? I search and search
but your delicate epiphany, your memory
is all I hold -
it seems you have woven like skin to the heart of my labour.
2.
Now, it is silent in the zoo, as I wander
my cage. Will you hold me,
take me far from here? Are you safer now
lost in the particular light of God? Let me
back in to feed on your darkness, let me trap
you within my beating wings. All I ask is
for freedom to roam from the walls of
my cage. This zoo, all it houses is cruelty,
and no one, not even you, knows just why
the incessant hand ticks on. Oh, Leda, let me
unfold in your arms, let me swoon the ripples of your eyes,
let me glide across you, glistening, perfect, swan-like, once more.
The Party Line
“Writing rather than phoning home is a better
way to contact extraterrestrials,” say
American scientists today. Lately NASA’s roving
Mars in search of life and discovering new planets:
Two gigantic gaseous masses, giants of the new
world oil industry. Only thing is there won’t be
anyone making money and war out of matter,
it’s hardly a big matter at all, except the
possibility of a new solar system, the hunt
for a new world, and maybe - although
we should never put two and two together:
new life. Ah, the possibilities of scientists are endless!
So let’s celebrate them for the moment
and keep NASA deferring on the phone line.
Writing the truth about humans 'inscribed in material' is likely
to hit home faster than any open party line in space.
Notes on the Contemporary Poet
by the roadside
birds hide in trees
singing their songs as the poet passes by
he hears them but can do no justice to them.
Mid Winter Poem
To Anita Lane at Sex O'Clock
when a rose withers
in the dance of flames
and the breath of fall
turns to winter
when a garden is gone -
pruned and sheared by gales
and the tears of petals
fall against my autumn
when a star is spied
in the black of night
and red lips are
painted even redder
I think of thee
I think of thee
a rosebud scarlet
black on black
a rose and pale white skin
I think of thee
and know that wanting
and yearning is
really but a
gentle, a fallow spring
Mark Pirie was born in Wellington, New Zealand in 1974. He is the Managing Editor for HeadworX, a small press publisher of poetry/fiction. His poems have been published in India, New Zealand, Australia, Croatia, the US and the UK. In 1998 University of Otago Press published his anthology of ‘Generation X’ writing, The NeXt Wave. He is an editor of JAAM (New Zealand), the contributing New Zealand editor for papertiger, and serves on the Editorial Advisory Board of Antipodes (USA) and the committee of the Wellington International Poetry Festival (NZ). Salt Publishing, Cambridge, England, has recently published his new and selected poems, Gallery A Selection. In 2004, Mark co-edited with Michael O'Leary the anthology Greatest Hits, an anthology of some of the best and most innovative NZ poetry and prose of the last 20 years and released four limited edition chapbooks through the Earl of Seacliff Art Workshop: Bullet Poems, Poems for Poets, The Angel Bus (song lyrics) and Two Poems - an impression of the sea (an experimental work for the Australian poet Ken Bolton). Future projects will include a Spoken Word CD, a verse novella "Tom", a collection of his writings about music/musicians "Adoration", and the editing of New Zealand's first Science Fiction Poetry anthology with Tim Jones.
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