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Neil Grimmett
DEADSTOCK
How, he wondered, could you eat so much and still feel such a deep and
empty hunger? He felt there was an answer, but that it lay a long way
from the simple act of feeding and yet was as basic and necessary. That
it existed somewhere between the spiritual event they were celebrating
and the thing it had been turned into: and there was still, surely, the
human need to break bread together and accept each morsel as a gift that
built and enforced love.
The children sat next to their mother, hypnotized by the entertainment
spilling out from the television. Christmas was being dished out - as
it had been for weeks - devoid of any meaning and waiting to be paid for
on easy credit. He looked at their faces: they knew the stuff so well
their lips were moving in sync with the actors: The Lord is my shepherd,
he whispered.
He'd made several attempts at using the occasion to bring them all together.
Games, a ghost story, a walk over the frozen fields: all had been dismissed
with an electronic bleep coming from the handheld games as the next form
of life marched in an endless but essential sacrifice. Now even they were
quiet and forgotten, along with so many other things. All of the presents
they'd wrapped so carefully. Christmas Eve spent in production line efficiency.
Everything in place: readied weeks before: itemized and double-checked:
the evening free of any need or chance of last minute arrivals stepping
in from the fog to a glow of comfort and everyone's relief.
Last night he'd told them: "One year, my father made us a model castle
for Christmas. It was perfect with towers and a drawbridge that could
be lowered and raised, he had painted it all in gray with this rough,
stoney type of texture. It must have taken him weeks of secret effort;
of course nobody was telling you day in and day out what you had to
have back then."
"Don't you start again Simon," Paula had warned him. She and her best
friend, Mary, who since her divorce had insisted on joining in on the
"magic" of preparing the children's gifts, were getting to the end of
their labours. Simon watched as the pile of presents mounted. Stockings
had become bin-liners and each child needed an armchair with their name-tag
dangling from it to avoid any confusion in the early morning stampede.
The three of them had sat on the floor drinking from a bottle of sherry
- his only contribution to keep the glasses topped up. In fact, it seemed
if just about everything had been managed without his involvement. He
was being made to feel as if he'd just woken up and found it all there;
fallen like night snow but without any beauty or disguise. The slow, even
pulses of the Christmas lights held and bathed each of their faces in
its best or worst colour, making them in turn appear lovely or grotesque,
honest or cunning; Simon found it appropriate to the scene.
"It's a time for children," Mary said, "that's all."
"He wants we should all go around like characters out of Scrooge," said
Paula: "That or he's getting religion."
"I just think we have lost the true meaning of what we are celebrating,"
said Simon, wanting as always to appear calm and patient when Mary was
visiting for shallow, and more disturbing for him recently, deeper reasons.
"I can still sense and feel the power out there. A collective need and
willingness to believe in something. It is just waiting to be tapped,
only you have to shut out all the crap and really listen for once."
For a brief moment the three of them had just sat as if waiting, or hoping.
"I have to go," said Mary: "I've a date to keep."
"Not another lucky man," said Paula, "I don't know how you manage it."
Simon tried not to notice the look that passed between the two girls,
friends since primary school with too many shared experiences that he
could never hope to understand or be a part of. Also, he suspected that
Paula was confiding in her about their rows and problems and that nothing
was secret between them. They helped her carry her presents out to the
car and then stood there as the fading sound of her car finally abandoned
them.
"Look at all those stars," he said, gazing into a night where the universe
seemed to have contracted and become young and fresh again. "When did
you ever see so many stars ?"
Paula had looked up as if trying to see what it was that he was seeing.
They were stood close together and he reached for her. She allowed herself
to be held but turned her head as he tried a kiss. She made an exaggerated
shivering gesture and moved away.
"Do you know that most of those lights up there are left-overs from stars
that died long before this planet was even born?" He heard their back
door open and then close without even waiting for him. He stood there
for what felt like a long time searching the heavens for that one bright
spot amongst all the rest that may have once been the signal to so much
promise. He could find nothing certain except the unfathomable infinity
that seemed to mock his imprisonment.
~
Dinner was finished. The bin-liners were stuffed with ripped and crushed
wrappings. His pale, exhausted, bored-looking daughters sat and mirrored
their mother. He tried to gauge from their expressions if they felt in
any slight way as he did and if it was still not too late to make something
more out of the day. For some reason, the deeper he looked the less he
recognized any of them; his discomfort began to turn to fear of how easily
he could come to loath them.
"This is a great book," he finally said: holding his present open and
giving up the struggle to follow its complex loose ends as they entwined
into new meanings and possibilities, and allowing himself to be dragged
along into the perfect resolutions of the movie: "it really makes everything
so clear."
Outside, and unnoticed, someone walked past their door. They lived in
the first of a row of terraced cottages. Once they had been the tied homes
of the labourers that worked the surrounding fields. The farmer lived
in the nearby house that still managed to tower above, and overlook their
lives, though the work was done by tractors and they paid rent for the
short-term lets. Their next door neighbours had lived in their cottage
for thirty-seven years. Stanley had worked on the farm as a boy; he'd
moved from the village with his bride to the cottage on their wedding-day.
Now, they did the same as each new neighbour: trooping to the farmer's
door once a week with the rent and having the privilege every twelfth
time of being allowed in to resign the contract.
"I can't imagine going anywhere else until I die," Stanley had told them
a short while after their arrival.
"We would like to stay for a long time ourselves, put down some roots,"
Simon had replied, and noticed an expression on the man's face of disbelief
and pleasure at what he judged lay ahead for them.
Stanley still liked to help out on the farm. Every time the farmer came
creeping around the cottages, hoping to catch one of the men and ask for
another little favour, Stanley would jump at the chance, even if
he'd just arrived in from a long day at the feed mill and Simon was already
on his way. "That's all right," he would yell, "I'm here now." And then
charge off in front of them like one of the working sheepdogs leaving
the farmer to dismiss Simon.
On the few occasions when Simon had got to help on one of the jobs - usually
driving sheep through pools of toxic and evil smelling chemicals or helping
load sacks with the dried and dusty grain for drilling - Stanley always
got to know about it. His first reaction was to ignore Simon's greeting.
Then he would keep going in and out of his house making lots of noise
hoping to attract his attention. When he did, the job was quickly mentioned.
And instantly there would be a story connected to it that implied more
than familiarity. Stanley insisted on calling the farmer, "Boss".
"Me and Boss," he'd say, "did that job once in the year of the great snow.
It was so deep we had to walk along the tops of the hedges just to get
out to the sheep. Carrying the bales of hay on our backs for their feed.
Can you imagine that? Can you picture just the two of us completely
cut off and struggling through?"
Simon had asked the farmer, Mr. Wills, one day when he was helping him
to drive some sheep along the lanes: "Was Stanley a good worker?" For
some reason of either curiosity, or out of growing village small-mindedness
it had become important to know. Mr. Wills had eyed the newcomer with
his usual slow, market-day assessment before answering.
The sheep farmer was a small rushing man who always appeared to have an
insight into the weakness of the people around him and the exact reason
for their failures. He felt he was as shrewd a judge of humans as he was
of stock. "I knew as soon as you pulled up," he had told Simon once, referring
back to their first meeting, "that I was going to let you rent the place.
Do you know how? Clean car, tidy kids, no cigarettes in the ash-tray,
and both slim. What do some folk expect, coming out here with fags hanging
out of their mouths and four stone overweight?" It had been some time
before Simon realized that fat probably meant you could not take a long
session helping at the top of a hay barn, and that it was hard work cleaning
walls and ceilings after smokers. He'd sensed recently that the farmer
was beginning to question his decision.
"Stanley was strong enough," he answered slowly: "but always with too
much to say; and a bit too familiar. We like to go about our tasks in
silence and be alert to the sounds and messages all around. Listen out
for their warnings: a good shepherd is a silent shepherd." The sheep stamped
and bleated their way to the field as Simon tried to hear.
Simon sensed that the farmer was not telling all: that behind the spotlessness
of Stanley's house and garden there must be an untidy truth. No one, he
thought, works on a place for thirty years and then stays half-chained
to the endless cycle of growth and harvest for free. Stanley's wife appeared
even more bound by another invisible force. She spent every minute cleaning
and polishing the dingy little cottage until its gleam must have bedazzled
her into madness.
They had been amused at first to hear her vacuuming the carpets at four
in the morning; now it was disturbing and made him want to pound on the
wall. It was another joke to share when she had ran about the garden threatening
the starlings flying above her clean washing, or been out burying balloons
in an attempt to scare away the farm cats from scraping in her soil. "Filthy
cats; dirty birds," would be the start, and then get more and more obscene
and hysterical until one of them could not stand any more and had to step
outside and let her know they were home.
Sunday afternoons were the only time Stanley or his wife ever stopped.
They would sit at the top of their garden on a crudely-built bench and
stare at the gate. The only person Simon had ever seen arrive was Mr.
Wills.
"Boss is here. Boss is here," Stanley always cried. His wife would then
rush in to fetch a tray of tea and cakes. The three of them liked to gossip
and were resentful of any intrusion by Simon, Paula, or even the children.
If any of them did go out, Mr. Wills always said the same thing in his
loudest and poshest voice: "And how do you like the new neighbours I've
found for you Stanley - are they up to the mark? Do they measure
up?"
"We've seen so many," Stanley would always reply, "they come and go so
often you can't keep count." Then quickly lead him away with a: "Do you
recall so and so." Or what he must have known the farmer liked to hear
best: "I can still see your father on his hourse looking down to make
sure all the gardens were tidy on a Sunday afternoon." As his dumpy wife
dangled her legs above the path and trembled with the effort of trying
to remain still.
Once, Simon hid behind his curtains trying to make out what they were
saying. The endless list of names and events were meaningless to him.
Also, they measured everything in years. It made him think of how many
times they had already moved home and wish that there was some calmness
in sight. He looked at himself in the mirror - hiding and trying to spy
- he saw the dust clinging to its surface: dulling and making even this
image appear shabbier.. Outside he noticed that weeds were growing in
corners of his garden and starting to seed. "One year's seed: seven years'
weed," he thought he heard - or had heard before.
~
Mr. Wills was away for the day. It was the first occasion in the eighteen
months they'd lived here, that the farmer, his wife and their son were
absent at the same time.
"Don't you dare go and buy us anything for Christmas," Mr. Wills had instructed
him a week earlier. He'd been lurking in their garden when they returned
from another Christmas shopping expedition. "We'll be going off for the
day anyway," he said: "so if you are around perhaps you will keep an eye
out. Stanley is going to do the feeding and keep a check on the lambing,
so everything should be fine." He had stared out toward the distant hill
range and woods as if their wildness was waiting its chance to encroach,
and listened always for any opening to do so.
"Don't worry," Simon had reassured him, "we'll be here. Maybe I'll take
the girls for a walk around."
Mr. Wills had looked even more forlorn and left before anything else could
be said. Simon instantly remembered why. One day he'd asked Paula and
the children if they would like to come and see the lambs. The farmer
had suggested it to him on a bright crisp morning at the start of the
lambing season when the newly borns were frisking in the fresh straw and
the whole scene appeared idyllic.
Simon had tried to pick a similar day. Paula held the two girls and followed
him as he led them to the pens. He'd deliberately timed it so that Mr.
Wills and his son would be at their breakfast, leaving him free
to show off his new knowledge.
Cara, the youngest of his two daughters had started screaming first. A
high-pitched note that cut through the crisp air and then reverberated
back off the barn's steel roof. Then Emma had joined in.
Paul had looked in the direction the two girls were staring. "Oh my God,"
she'd cried, looking at him in disgust as she began dragging the girls
back home. Simon had stood there, unable to move, as the echoes of screaming
carried on swirling around the yard like the whirlwind he'd once witnessed
in the same place.
Next to the large open-ended barn that had been turned into a pen for
the pregnant sheep there was another barn partly filled with bales of
last year's hay. Just inside its entrance lay the bodies. A tangle of
five or six lambs all covered with a slime of blood and excrement. Next
to them was a dead ewe. She appeared abnormally large and bloated, with
milky white eyes glaring in their frozen agony. Hanging out of her was
the head and foot of a partly born lamb.
The farmer and his family had arrived at the run, looking shocked and
guilty, "What was all that screaming about ?" Mr. Wills had demanded.
"We're not responsible if anyone gets injured on the farm," Mrs. Wills
stated.
"It was a bad night," said their son, trying to explain. Then adding quickly
as his mother and father turned on him: "Where you have livestock: you
have deadstock."
~
The film finally finished. Simon loosened his collar. He'd got dressed up: best suit and shirt, patent leather shoes and a silk tie. They were not going anywhere and no one was expected. It was done for the day; but mostly for his wife in the hope of some affection or maybe even passion. Now as the next programme rolled into view and he watched her settle herself and the girls for the next session, he wished he had not bothered. He felt anger and resentment as every slow word spelled out its map to another Utopia as they sat in the void waiting for theirs to suddenly arrive.
Simon knew that if he said anything it would cause a row. And that his clumsy, unrevised lines would carry nothing but a weak resonance of what they considered drama. What was it she had told him last time they'd rowed seriously: "This isn't a rehearsal: this is life." Then, with the melodrama, he'd come to recognize as belonging to the two dimensional world added: "You have a death wish for us all."
"Paula," he began. And was stopped by a loud continual hammering at their door.
Stanley looked flustered and uncomfortable to be there. "You have small hands," he said as Simon closed the door and stood outside with him. He placed his large, callused palms toward Simon.
"Quite small for a man, I guess," said Simon, putting one of his much daintier hands between them.
"One of the ewes has a lamb that is stuck and I can't reach it. I've been trying for hours - she's getting pretty weak."
"What about the vet?" Simon asked. Mr. Wills had told him to always call
the vet if there was a problem and he wasn't about.
"I can only get the bloody answering machine. I've tried Boss but he'll be an age getting back."
"How about your wife?" Simon knew she had been the daughter of a farm worker.
"She's got smaller hands than me, I bet."
"My wife! You haven't got a bloody clue about anything have you? I've got
to get back - I'm wasting time here."
He moved away leaving Simon still and cold on the doorstep. "I'll come," he called after him. "Just let me tell Paula." He opened the door and listened, without bothering to speak for a few seconds before following.
The ewe was laid on her side and appeared to be sleeping. A short way off the rest of the flock carried on eating or dozing, oblivious to anything that might be happening. Two fluorescent lights hanging from the girders were switched on and bathed the place in a weak yellow wash. It made everything appear gentle and old. Like stepping into a photograph, Simon thought, as his feet sank into the straw and the ground and his movement slowed.
Next to the sheep there was a galvanized bucket and a towel with a bar of soap lying on it. Stanley washed his hands and then pushed one inside the animal. She groaned and tried to lift her head. "I can feel its head and a foot," he said, "but there is not enough room to find anything else. It might be a back leg and mean that the lamb is all twisted. I've tried pulling a bit but nothing moves. I may tear it in half if I try any harder." He withdrew his hand and stood up. He appeared to take notice of what Simon was wearing for the first time. "You can't do anything dressed like that," he said.
"Yes I can," said Simon. "I've never done anything like it before, but I'll try."
~
He takes off his jacket and rolls up his shirt sleeves. The water is full of mucus and wisps of blood, it is icy cold and for some strange reason the smell of the soap reminds him of his days at primary school.
The inside of the sheep is soft and warm. Simon is amazed at the strength of the suction that grips and draws his arm in. He can feel a hard lump that he realizes is the lamb's head, and then a foot, then another.
"I can find two feet," he says; "two."
"Grab them and pull," says Stanley. "Quickly."
He hears the man's frustration and anger mixed with a desperation to do the right thing. The sheep's contractions squeeze around his arm like a tourniquet and he is drawn further in. A stain of pink begins to seep back into his shirt and a dampness creeps through the crust of dry straw into his knees. His arm aches as if someone has scraped the skin off it.
"I think its another back leg," he suddenly decides: "it doesn't bend right for a front one."
Stanley sucks in a slow deep sigh.
Then Simon feels something else.
"There are two lambs in here," he says: "I can touch another head."
"She is not carrying twins," Stanley tells him: "she's a single. They all get scanned so we know. This is hopeless it is not your fault: you need to be born to this sort of work."
Simon pulls his arm out and begins washing himself.
"I'm going to go and find the vet or someone before she's dead," says Stanley. He leaves without giving Simon a glance. The metal gate shakes as he levers himself over it and the noise fills the air like a muffled drum roll. Simon looks down at the sheep; her eyes are becoming glazed and distant. He drops back down onto his knees.
"Come on girl," he whispers.
Inside, he can feel a head and legs. He can also feel the place where legs cross each other and form a tight hold, and a slight way behind that what he knows is another head. He starts to untangle the legs and tries to ease the head backwards. And for the first time that he can recall, he begins to pray.
He does not ask for his life to get any better; or for love that has gone cold to stop turning into hate. He concentrates solely on the sheep and her need. "Please," he asks, bringing two feet into line, "let me get this one thing right."
He gently eases them out. The head follows tightly and then with a rush the whole lamb comes out. A mass of dark blood and other liquids splash over his legs. He wipes the lamb with a handful of straw as it leans against him gasping and trying to bleat.
The next one already has its head starting to come out. He thinks it will jam if he does not get the legs out first. He pushes the head back in and reaches for the legs. "Just this," he breathes, and brings it out with one easy pull.
He notices as he cleans it off that instead of being all white like the first one it is heavily marked in black like a badger. Before he has even finished, the ewe is up on her feet calling both of them to her.
He sits back against the side of the barn and watches them bumping and tugging at her as they begin to feed. Outside it is very dark and he knows exactly where that bright star would be. He hears voices and watches as Stanley arrives at the gate and stands there looking in with a shocked expression on his face. Then Mr. and Mrs. Wills arrive with their son, followed closely by Paula and the two girls.
They are all lined up along the gate watching. He waits, daring any of them to make the slightest sound or movement at this moment and on this day.
Neil Grimmett says, "I am English
by birth but after travelling around the Greek islands currently live in
Madrid, Spain. I have had stories published by amongst others: London Magazine,
Panurge, Iron, Stand, Sepia, Buzzwords, Affectionate Punch, Passport, Pretext,
Ambit and Richmond Review in the UK. In France, Paris Transcontinental,
in Canada, Grain, in Australia, Quadrant, in South Africa, New Contrast;
Singapore, Literary Quarterly Review and in the USA I have been in Fiction,
The Yale Review, DoubleTake and The Southern Review. I have also been on
the net with Tatlin’s Tower, Web Del Sol, In Posse Review, m.a.g., Word
Riot, The Blue Moon Review, Plum Ruby Review, 3AM, Spreadhead, Subterranean
Quarterly, Thieves Jargon, Gangway and others. I have a story published
in the anthology ‘England Calling’. My first novel, THE BESTOWING SUN was
published on Oct. 1 - from Flame Books www.flamebooks.com I have just been
accepted into the US branch of PEN.
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